Dokhuis NIGHT - Dok for Peace Benefit Night
2022-03-31 18:00 - 23:00 (Europe/Amsterdam) | Dokhuis
Dokhuis NIGHT – Benefit

6 pm ART OPENING by various artists who donated art. The final auction will take place Sunday 24th of April
7 pm dinner cooked by the lovely Elly
8 pm music by dreamy SOUND collective SHE WHO MAKES NOISE
9 pm the energetic amazing band DISHES

* all funds go to the Dok organization for Ukrainian refugees of non-European origin (BIPOC).*

Dokhuis NIGHT
2022-04-07 18:00 - 23:00, 2022-04-21 18:00 - 23:00 | Dokhuis
Dokhuis NIGHT

+ Benefit Art Exhibition

+ Vegan Maaltijd € 10,-
+ Vegan Cakes € 3,-

Crystalline
2022-04-09 21:00 - 23:00 | Dokzaal
Helena Basilova & Jurjen Alkema
Pianiste Helena Basilova speelt muziek van Debussy tot Tanaka. Spectrale muziek, waarbij de componist de kleuren van klank als uitgangspunt nemen. Videokunstenaar Jurjen Alkema heeft hierbij in samenwerking met Helena een betoverend lichtontwerp gemaakt.
Op het programma staat werk van vier opeenvolgende generaties componisten: Debussy, Messiaen, Murail en Tanaka.
Messiaen raakte als jonge componist in de ban van Debussy’s opera Pelléas et Mélisande , die Messiaen omschreef als “een bliksemschicht” en “waarschijnlijk de meest doorslaggevende invloed op mij’. Messiaen gaf les aan Tristan Murail, en die op zijn beurt, had Karen Tanaka als student. Het concert beweegt van vroege stukken waarin Messiaen terugkijkt naar Debussy, naar een complexere taal in Vingt regards sur l’Enfant Jésus, vanwaar Murail het stokje overneemt, door naar Tanaka die uiteindelijk terugkeert naar eenvoud.

Programma
Claude Debussy – Les sons et les parfums tournent dans l’air du soir
Olivier Messiaen – Les sons incapable du rêve Première Communion de la Vierge
Tristan Murail – Les Traveaux et les Jours
Karen Tanaka – Crystalline I Children of Light- selection Water Dance I,II, III Techno Etudes I

Hosted by 24classics.

Dokhuis NIGHT
2022-04-14 18:00 - 23:00 | Dokhuis
Dokhuis NIGHT

Dokhuis galerie presents:
Live: Frans Doedel – multi talent Amsterdam sailor Frans Doedel plays his songs about drinking and sailing, lost love, ports, streets and bars – unpolished and straight from the heart.
Expo: Benefit group exposition with the wildest variety of visual art – choose your favourite piece before the grand art auction on April 24! Benefit for Refugee Aid.
Food: Dinner at 19h by Earthallujah Productions and Heavenly vegan cakes by Miss Whips.
Dancefloor: DJ Gaap .. .. Rocking Hell!
See you on Thursday!

+ Benefit Art Exhibition
+ Vegan Maaltijd
+ Vegan Cakes

Benefiet Nicaragua: tasty meal and the rebellious music of singer-songwriter Jandir Rodríguez
2022-04-16 17:00 - 23:00 | Dokhuis
We are organizing this night in celebration and commemoration of the April 2018 protests in Nicaragua, which were brutally repressed by state and paramilitary forces, taking the lives of 328 people and leaving many more injured and in prison. It also pushed more than 150.000 people into exile. For this reason, the night is organized by the Nicaraguan refugee community in the Netherlands, in collaboration with SOSNicaragua-Holanda and the Dutch Solidarity with Nicaragua.

The dinner, starting at 18.00, is a “voku” – people’s kitchen – consisting of a series of typical Nicaraguan dishes like gallo pinto, tostones, adobo mushrooms and guiso (all vegetarian). There will also be tres leches and cajetas de coco for dessert.

The proceeds of the benefit dinner will support the families of political prisoners in need. If you want to be sure of a plate, please sign up for dinner with an email to: sosnicaragua.holanda@gmail.com

Following the dinner, at 20.00, Nicaraguan singer-songwriter Jandir Rodríguez, who is on tour to promote his second album “Volar”, will take the floor to sweep you away to warmer places There will be plenty of time to socialize and maybe even dance a bit! You can also see caricatures by exiled cartoonist Pedro X. Molina and add to the collage of dedications to Nicaragua set up downstairs.

We hope to see you all at Dokhuis on Saturday 16 April!

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Program: Doors open from 17.00 | Dinner from 18.00 | Concert & Music from 20.00
Price: donation € 5,- or more!
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NOTE: park your bikes in the bike spots, and never in front of the neighboor’s buildings. Keep sidewalks free, keep quiet outside. Thank you!

Filmavond, films for those who care | Blue Collar
2022-04-21 20:30 - 22:30 | Dokzaal
SYMBIOPSYCHOTAXICINEMA

Films for Those Who Care
Presented by Jeffrey Badcock

A series of socially engaged movies, screened once a month on Thursdays. Touching on such hot topics as immigration, homelessness, racism, education, radical gender propositions, the pandemic and gentrification, these films not only explore visionary politics, but are also chosen to stir our imagination and creativity. The essence of cinema is the collective experience, and these screenings are aimed at creating intimate communities again in an increasingly hectic and fragmented world.

BLUE COLLAR 1978
Directed by Paul Schrader
114 minutes
In English with English subtitles
Damn, they don’t make films like this anymore, that’s for sure! After Paul Schrader wrote loads of screenplays for other directors like Martin Scorsese (Taxi Driver) he decided to direct one of his own scripts himself. His choice was this one, BLUE COLLAR…. and so with a great cast including Richard Pryor, Harvey Keitel (Bad Lieutenant), and Yaphet Koto (Alien) and a volatile script, he created this explosive gem of a film which is one of the most underrated films from the 70s.
The film is about three drinking buddies who all work in a Detroit car factory. Pissed off about their worker’s union which they feel never does anything for them, one night they decide to rob the union’s safe. That’s the set-up for a film that hooks you in right from the great opening credit sequence and doesn’t let go until the final freeze-frame. This hilarious and tragic film was one of the last films made in Hollywood that depicted the reality of everyday people without all of the gloss, make-up and special effects.
Blue Collar has had a huge impact upon other filmmakers, but has been rarely screened in cinemas since it was made. For example, the whole interracial interaction between black and white people in this film seems to have been directly ripped off by Tarantino as a standard template for films like Pulp Fiction. And by the way, as if all that wasn’t enough, it also has a brilliant soundtrack featuring Captain Beefheart and Howlin’ Wolf. It’s still relevant and powerful thirty years after it was made….a lost masterpiece of engaged cinema. A dynamite film with riveting plot…. it’s a rare screening and it’s for free… what more could you ask for?
This will be a high-definition screening.
Free screening.

Benefit Art Exhibition & Auction
2022-04-24 14:00 - 18:00 | Dokhuis
Dokhuis Galerie presents a Benefit Art Auction
Participating Artists
Blue Crime, Soon, Ashleigh McCulloch, Olivier Delebecque, Olle Stjerne, Frank Rosaly
Annelinde de Jong, Stéphanie Baechler, Spill Gold, Splitter Spletter, Silver Bone, Jackie Bacon, Julie Mollenhauer, Jason Swinehammer, Daan Simons / Tsugi Woodworks, Mirjam Langemeijer
Ingrid Sanghee Edwards, Bert van de Roemer, Daddy Hands, Alexandra Duvekot, Het Tekenlab
Ceola Tunstall-Behrens, Sanne Kabalt, Dishes, Slow Worries, Cinder Well, Jessica Lever, Helen Mason, Vita Buivid, Hilde Koenders, Alice Abel, Mirra Berridge, Olga Miscińska, Susan Kooi, Bashir

Click here for more information about the auction!

Dokhuis NIGHT
2022-04-28 18:00 - 23:00 | Dokhuis
Vegan Royal Hangover Whine and Dine with Maître Martin – Heavenly Cakes

by Miss Whips + bar, sounds and Benefit Art Exhibition

Koningshuis Kater Diner met Chef Maître Martin – Hemelse gebakjes van
Miss Whips + bar, sounds en Benefit Art Exhibition

Taste before you waste – Wasteless Wednesday
2022-05-04 18:30 - 21:30, 2022-05-11 06:30 - 21:30, 2022-05-18 18:30 - 21:30, 2022-05-25 18:30 - 21:30, 2022-06-01 18:30 - 21:30 | Dokhuis
Taste before you waste – Wasteless Wednesday

As always, dinner is a donation-based 100% vegan feast created from zero waste ingredients salvaged from nearby Amsterdam food stores.

Doors open at 18:30 and we are operating on a first come, first served basis.

Dokhuis Night - ASEED Benefit dinner
2022-05-05 19:00 - 23:00 | Dokhuis
What yummy scents fill this warm spring-air?
Can it be?
Is it true?
Yes it is! ASEED is organizing another benefit dinner.

Join us on the 5th of May from 7pm onwards at the Dokcafé to fill your bellies with delicious treats. You do not need to reserve a spot but places are limited, so make sure you show up not too late!
This time the earnings will go to the organization of the yearly Food Autonomy Festival (FAF), that willl be happening from the 27th-29th of May in Amsterdam and Utrecht. The FAF is a festival organized by ASEED, where we collectively discuss and celebrate alternatives and resistance to the state and the corporate-controlled industrial food system. It is a place where activists, farmers, young academics, food-lovers among many others who fight together for social and ecological justice are brought together. In doing so, we strive in both our perspectives and practices, to challenge racism, sexism, coloniality, and oppression in all its forms. Collectively we take engagement with food beyond procurement and make it a site of resistance, solidarity and autonomy.
At the dinner you will have the opportunity to learn a bit more about the Food Autonomy Festival and ask us all your questions 🙂
Come enjoy good food, good vibes, and make the FAF possible!
To make this solidarity dinner happen, we are looking for volunteers who can help us with various tasks such as setting up, cooking, serving and cleaning at the end of the night.
Are you interested in volunteering?
Let us know in this form so we can ad you to the volunteering schedule: https://form.jotform.com/221082318967359.
Food, drinks and good vibes will be provided! For any further information contact paulina@aseed.net or justine@aseed.net.
See you on the 5th!
Love and Rage,
The ASEED collective
ps. Suggested donation: 7 euros. Please bring your donations in cash 🙂

Dokhuis Night | Emma Feldhandler Quartet
2022-05-12 18:00 - 23:00 | Dokhuis
Dokhuis Night
18 – 23h Dok for Peace | Benefit Art Exhibition
18h Moroccan Food / Harira & Couscous with veggies / € 7,50 (cash only)
19h30 Emma Feldhandler Quartet

The Emma Feldhandler Quartet is an international project formed by 4 musicians from the Conservatory of Amsterdam ; Tijs Klaassen (double bass), Federica Lorusso (piano), Chen Har Even (drums), and Emma Feldhandler (guitar/composition).
Through her compositions, Emma explores her imagination and sensibility. She’s inspired by composers as Charles Mingus or Cecile McLorin Salvant, cinema (Gena Rowlands or John Cassavettes), danse (Wayne McGregor), or people she meets. Interplaying between the musicians is essential to the arrangement of the compositions ; the songs are feed by the talent and sensibility of every musicians.

https://www.youtube.com/watch?v=Fu4sMLrq5dE
https://www.youtube.com/watch?v=NMz_2yX6epU

Dokhuis Night
2022-05-19 18:00 - 23:00 | Dokhuis
Dokhuis Night
> benefit art exhibition
> food and drinks
> filmavond

Filmavond, films for those who care | Working girls
2022-05-19 21:00 - 23:00 | Dokzaal
SYMBIOPSYCHOTAXICINEMA

Films for Those Who Care
Presented by Jeffrey Badcock

A series of socially engaged movies, screened once a month on Thursdays. Touching on such hot topics as immigration, homelessness, racism, education, radical gender propositions, the pandemic and gentrification, these films not only explore visionary politics, but are also chosen to stir our imagination and creativity. The essence of cinema is the collective experience, and these screenings are aimed at creating intimate communities again in an increasingly hectic and fragmented world.

WORKING GIRLS 1986
Directed by Lizzie Borden
93 minutes
In English
Director Lizzie Borden was a unique one. At the very beginning of her career she knocked out two of the most confronting movies of the 1980s in America. Both were done on low-budgets, but took an unusually fierce stance on the topics they chose to deal with. The first film was the punk-socialist Born in Flames, which detailed a women’s guerrilla revolution in Manhattan, and the second ground-breaking film was this one, Working Girls.
This is an un-erotic film about sex. In other words it is about sex as a trade, the world of female sex workers. It depicts one day in the lives of three women—Molly and Dawn are workers, Lucy is the madame— all working in a modern apartment-brothel (escort service). All three women are there for different reasons (but all financial) and each handles the work in different ways. One is even a lesbian, and has to divorce her personal life from her business. What is crucial is that in this film we see a view of an escort service that is totally unrecognizable from the stereotype in any mainstream movie. It’s this brutal clash in how the situation is depicted that makes this such a valuable experience.
Director Borden did a lot of research on the brothel scene in New York City, and what she learned gives this flick many insights. Like I said before, there is not much sensuality here for the audience to experience, only the grind of unsavory work along with the boredom of killing a lot of time, waiting for the phone to ring. The actual sex scenes with the clients are not meant to be titillating or to seduce us in any way. They are set to a cold electronic music score by David Van Tieghem, keeping us, in a sense, at arm’s length. And although I make the movie sound like it is one sided—women vs the clients—actually it is much more complex and nuanced. For instance, one of the sex workers almost sees her work as a kind of therapy session for the men that visit her.
The film raises many questions, such as: who is exploiting who the most… the clients who use the service, or the women who cynically want to drain the rich bastards of their cash? And what about the madame that runs the joint? Or you can also step back even further and see the society we live in as a cat-and-mouse game where everyone is exploiting each other. And yet, despite it all, there are glimpses of something else in the narrative… moments of solidarity and caring.
“A modern classic uncompromisingly lensed through a female viewpoint.”

This will be a high-definition screening.
Free screening.

Sangre de Muerdago - galician-forest-folk concert
2022-05-21 20:00 - 23:00 | Dokzaal
15th anniversary european tour!

After 2 years of cancelled plans and albums materials released without tours to celebrate them, we are very pleased to be able to announce a return of SANGRE DE MUERDAGO to the netherlands.
https://sangredemuerdago.bandcamp.com/track/xuntas
The music of SANGRE DE MUERDAGO has been evolving for years to become today a free spirit that creates a common space between Galician music and chamber folk, with a critical and
contemporary vision of the world that surrounds us, calling to nature, love, kindness and respect.
On their first tour since the release of Xuntas Sangre will visit Amsterdam to play the Dokzaal of Plantagedok.
This former church hall with its beautifull accoustics is located in the creative nest of platagedok. Its a place where many artists and non-profit projects find their home. And the perfect place for Sangre to (almost) round up this first tour post covid.
The venue is close to Amsterdam central station and several Parkings. Reserve your ticket beforehand by sending a mail to thekla@adm.amsterdam
Come join us and experience mesmerizing music and accoustics this may saturday evening..!
HOME

DokHuis Night 'Wat doe jij nou?'
2022-05-26 18:00 - 23:00
Evening WAT DOE JIJ NOU?
What inspires you: the ultimate try out!!!
First of a series of evenings about alternative ways of thinking.
With: [Amongst others] Celine Thalens, Ina Smits, Eva Schippers
+ Vegan diner & cake

Dokhuis Night. 'Wat is dit?'
2022-06-02 18:00 - 23:00 | Dokhuis
Evening WAT IS DIT?
What if Amsterdam was an island or an independent republic?
First of a series of evenings about alternative ways of thinking.
With: [Probably] Natascha Hagenbeek [Commons Project], Dioni Klute, Eva Schippers, Graeme Walker
+ Vegan diner & cake

FIBER Festival Exhibition: Mutation (Part II)
2022-06-08 - 2022-06-19 | Dokzaal
With the theme Mutation (Part II), FIBER Festival continues its investigation into the (in)ability of humankind to adapt to fundamental transformations in its living environment. What does the future of humanity look like under the influence of a radically changing earth and the inseparable adaptations of its modern society? Are we, forced by global warming and planetary-wide technological demands, able to steer towards a new post-human world: one in which man is no longer the centre of reality?
Over the course of 1.5 weeks, FIBER takes you on an audiovisual journey at Dokzaal in Amsterdam-Oost. Wander from the mundane into our Exhibition with a dozen of works from both established and emerging artists.
Tickets for FIBER Festival 2022 go on sale on Tuesday 5 April at 10:00 (CEST).

Dokhuis Night | Ceramists LIVE and DJ Mappe
2022-06-09 18:00 - 23:00
Dokhuis NIGHT
Dokhuis galerie presents:
Band: CERAMISTS
Ceramists are are a garage punk band based in Amsterdam East playing groovy punk songs. Debut album was released in 2019, and out on cassette. Second album Bambi Eyes out now!
Ceramists have some history at Dokhuis : they played there since the band started in 2019.
During Covid they made their second album BAMBI EYES playing several times on the most peculiar occasions.
Last seen in Cinetol last april they bring a most energetic songs and sounds to make you dance and enjoy : Let the ants take over!
Check out on bandcamp: https://ceramists.bandcamp.com/
Brand new video, Pas de Problem, out now!

And another video–Suburbia:

Dancefloor: DJ Mappe rocking the night away with the best vinyl
+ Vegan Maaltijd 19:00 by Earthallujah
+ Vegan Cakes by Miss Whips
See you on Thursday!

Dokhuis Food & Cinema Night
2022-06-16 18:00 - 23:00
Eten & Cinema de Jean-Pierre Jeunet
City of lost Children
Expositie: Het Jaar van de Kever – Fraublank
Diner 18:00
Cinema starts 20:30
Vegan Maaltijd by Chef Lips € 10,-
Vegan Cakes by Miss Whips € 3,-

Dokhuis Night - Plumeau
2022-06-23 18:00 - 23:00 | Dokhuis
Music: PLUMEAU
Voor al uw stoffige zaken, feesten en partijen: Een driekoppige band uit Amsterdam vergelijkbaar met Kerberos maar dan met meer haar en iets meer fluffy. Zo stoffig als je bek vol met zand en zo droog als je mond na een aantal pils. Met een eigenzinnige samensmelting van funky baslijntjes, strakke drums en spacende gitaarpartijen giet deze band een spectrum van nummers in hun eigen geluid.

Exhibition: Het Jaar van de Kever – Fraublank
Food: Vegan food by Hafid

Filmavond, films for those who care | CHRONICLE OF A SUMMER
2022-08-18 20:30 - 23:00 | Dokhuis
SYMBIOPSYCHOTAXICINEMA

Films for Those Who Care
Presented by Jeffrey Badcock

A series of socially engaged movies, screened once a month on Thursdays. Touching on such hot topics as immigration, homelessness, racism, education, radical gender propositions, the pandemic and gentrification, these films not only explore visionary politics, but are also chosen to stir our imagination and creativity. The essence of cinema is the collective experience, and these screenings are aimed at creating intimate communities again in an increasingly hectic and fragmented world.

CHRONICLE OF A SUMMER 1961
(Chronique d’un été)
Directed by Jean Rouch and Edgar Morin
85 minutes
In French with English subtitles

This is one of the most important films in the history of cinema, and one that is rarely ever shown in cinemas these days. Ethnographer Jean Rouch is famous for his anthropological films about African culture, and was a pioneer in creating a new kind of documentary cinema in which he made films with the participation of his subjects (rather than judging them from afar). His groundbreaking movies (called ‘shared anthropology’) were heralded by the French New Wave because he found a way to make cinema real again, and you can see his huge impact on their New Wave cinema.
So in 1960 anthropologist Rouch collaborated with sociologist Edgar Morin on an experiment. Instead of making so-called “ethnographic” films about people in faraway lands like Africa or Asia, they decided to turn the camera on their own culture for a change. Using a newly available 16mm camera, they set out to do what no one else had done before—to go out into the streets of Paris and attempt to capture daily life and discuss it. They felt they needed a theme to focus the project, so they simply asked people if they were happy. The result is shattering, both cinematically and emotionally. Souls are revealed in a way that no fake dramatic acting could ever come close to…. piercing and moving, even more so because it’s so real and unscripted.
As one viewer said “watch it and be blown away.” Once again, cinema these days has fallen into a narrow rut… we need fresh ideas that can spark new directions of filmmaking—and this movie does exactly that. It both expands the imagination, and grounds us in real life at the same time.
This will be a high-definition screening.

21:00
Free screening

Lady Chatterley’s Lover – De Warme Winkel theatervoorstelling
2022-09-09 20:00 - 22:00, 2022-09-10 20:30 - 22:00 | Dokzaal
In de beruchte en grensverleggende roman Lady Chatterley’s Lover (1928) van D.H. Lawrence valt de adellijke Constance Chatterley halsoverkop voor de brute charmes van boswachter Oliver Mellors. Vanwege de opwindende inhoud veroorzaakte de roman een groot schandaal en was het lange tijd verboden in Engeland en ver daarbuiten. In het geniep werd het boek decennia van hand op hand doorgegeven.
Hoewel Lawrence toen vooral werd gezien als provocateur, was dat allerminst zijn bedoeling. Hij voelde heilig vuur om eerlijk te spreken over seks en seksuele voorkeur. Hij wilde nieuwe rolmodellen creëren en zette zijn lezers aan in het reine te komen met kanten van onszelf die we het liefst aan het daglicht onttrekken.
Houvast zoekend in het verleden, van henzelf en van het begin 20e-eeuwse Engeland, gaan Florian Myjer en Lisa Verbelen de dans aan met deze schandaalroman. Vol overgave omarmen ze hun seks en hun driften. Schaamteloos wentelen ze zich in perversie en genot en nemen Lady Chatterley’s Lover een beetje ruig en een beetje teder mee naar de 21e eeuw.
Na een steeds intensievere samenwerking is Florian Myjer op 1 januari 2021 toegetreden tot de artistieke kern van dit illustere gezelschap. Lady Chatterley’s Lover is zijn eerste Warme Winkel (voorheen toneelgroep Amsterdam)-voorstelling in die hoedanigheid en zijn laatste bij Frascati Producties. Hij schreef deze samen met Warme Winkel-sweetheart Marieke de Zwaan en BOG.-flirt Lisa Verbelen.

Filmavond, films for those who care | Ici et ailleurs
2022-09-22 20:30 - 23:00 | Dokzaal & Dokhuis galerie, Plantage Doklaan 8, Amsterdam, 1018CM, Netherlands
SYMBIOPSYCHOTAXICINEMA

Films for Those Who Care
Presented by Jeffrey Badcock

A series of socially engaged movies, screened once a month on Thursdays. Touching on such hot topics as immigration, homelessness, racism, education, radical gender propositions, the pandemic and gentrification, these films not only explore visionary politics, but are also chosen to stir our imagination and creativity. The essence of cinema is the collective experience, and these screenings are aimed at creating intimate communities again in an increasingly hectic and fragmented world.

ICI ET AILLEURS 1976
Directed by Jean-Luc Godard, Anne-Marie Miéville and Jean-Pierre Gorin
55 minutes
In French with English subtitles
This is Jean-Luc Godard, Anne-Marie Melville and Jean-Pierre Gorin’s radical cinematic adventure that focuses on the state of life within the Palestinian camps (elsewhere) and how it is seen by people in the West (here). But, typical of Godard, the film is also self-reflexive, and is thus transformed into an acute examination of the nature of cinema itself and how it works.
Godard started off as an ‘auteur’ filmmaker, believing in the singular vision of the artist, but this idea evolved in the late 1960s, and he began to embrace the possibilities of the collective. This is a wonderful example of his collaborative work—it was a period of questioning all presumptions of cinema, and reinventing it from the ground up. New thoughts, new aesthetics and a new spirit.
This will be a high-definition screening.
AND

JLG/JLG – SELF PORTRAIT IN DECEMBER 1994
(JLG/JLG – autoportrait de décembre)
Directed by Jean-Luc Godard
54 minutes
In French with English subtitles
This is Godard’s ‘self portrait’ which shouldn’t be confused with an autobiography. This poetic film reflects how Godard feels about several subjects, which include death and cinema…things that are closer to his soul than biographical details ever could be. Therefore Godard does not recount the story of his life, but instead he uses film to present himself the way a painter would in a self-portrait…. by making a collage of his thoughts, loves and fears.
Although he doesn’t bring out any biographical information, he does refer to his earlier films in the haunting images of JLG/JLG. As in many of Godard’s later films, the dialogue and voice-overs create a poetic montage of overlapping images and quotations from works of literature, science, and philosophy. Godard takes these quotations and montages them into visual passages based on themes of art, film, and politics. Godard is cinema’s great mixer, and with his usual technique, he weaves together bits of music, images, spoken words, audio clips and his own voice narration tying everything together (or pulling everything apart).
Much of JLG/JLG was shot at his house in the Swiss town of Rolle, on Lake Geneva, which was the place where he finally died. Other sequences were shot outside his home, set in the region’s wintry lakes and forests. This provides a beautiful setting for the film’s episodes and Godard’s autumnal reflections on art, life and cinema. Godard died with euthanasia, a willed clear-cut decision, like everything else in his life.

Plantage Doklaan 8-12
20:30
Free screening

Dokhuis NIGHT - first night of the season
2022-10-06 18:00 - 23:00 | Dokhuis
We warmly invite you to the first Dokhuis night of the season!
Vegan food, drinks, shows, expo and lots of gezelligheid. Bring your friend and hope to see you there
